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This paper examines the production of Hamlet directed by Ljubiša Georgievski at the Macedonian National Theatre in Bitola in 1989 as an example of how the staging of classics in times of political upheaval can serve as a means for political theatre. In the context of the drastically changing political situation in Yugoslavia at the end of the 1980s, this production serves both as an expression of a memory politics in the process of changing towards a nationally-oriented historiography and as an example of how the staging of repetitive dramatic structures has the potential to criticise repertoire politics in established cultural institutions. Accordingly, this paper is also an argument against a reduction of classics to an expression of an escapist repertoire politics in the region of former Yugoslavia in the 1980s and early 1990s.
Alexandra Portmann
Alexandra Portmann is a lecturer at the University of Bern. From 2017-2019 she was a postdoctoral fellow at the Ludwig Maximilians University in Munich and Queen Mary University of London, founded by the Swiss National Science Foundation (SNSF). Her dissertation on Hamlet in the region of former Yugoslavia received the Faculty Award for the best PhD thesis at the University of Bern (2015) and the Martin Lehnert Award from the German Shakespeare Foundation (2016). Her research interests are contemporary theatre production, transnational festivals, cultural economics, theatre theory and Shakespeare in performance.