Contemporary Southeastern Europe 2020, 7

(2)
Introduction - Visual Representations of Femininities and Masculinities
Karl Kaser
The Status of Women as Subject in the Films of Contemporary Turkish Female Directors
Hasan Gürkan
Traditional Gender Roles Enacted by Men and Women in Azerbaijani Cinema
Zumrud Jalilova
Visual Representations of Femininities and Masculinities – The Balkans and South Caucasus in the Digital Age
Karl Kaser
The Changing Roles of Gender in Advertising: Past, Present, and Future
Eirini Tsichla
From Socialist Amazons to Bodies on Full Display: Gender Stereotypes in Bulgarian Advertising during Socialism and the Post-Socialist Transition
Elza Ibroscheva
Elections During the Pandemic: Lessons Learned from the 2020 Early General Elections in Croatia
Valentino Petrović Dario Čepo Antonio Karlović

Contemporary Southeastern Europe 2020, 7

(1)
Croatian Presidential Elections 2019-2020
Katarina Peović
Protests against the Law on Religious Freedom in Montenegro. A Challenge to the “Đukanović-System”?
Fynn-Morten Heckert
The Political Dimension of Ante Marković's Reform Project. “We must develop democracy and a Third Yugoslavia.”
Alfredo Sasso
Turkey’s Kin State Policy in the Balkans: The Muslim Community from Dobruja
Adriana Cupcea

Contemporary Southeastern Europe 2019, 6

(2)
Music of the Others. Locating the (Turbo-) Folk Critique
Marina Simić
Nationalism and the agency of musical performers in Serbia in the 1990s: A discussion with Dragana Mirković
Rory Archer
“Stop the War in the Name of Children”: Children and Nation Building Through Croatian Patriotic Music (1991-1992)
Ivana Polić
The Abolition of University Asylum as the Inauguration of the Era of (New) Authoritarianism in Greece
Dimitra Mareta

Contemporary Southeastern Europe 2019, 6

(1)
Europe’s Diplomacy on Public Display: The EU and the Belgrade-Pristina Dialogue
Katarina Ćuković
Dimensions of Europe - Dimensions of Europeanization
Maria Todorova
The 3rd Congress of SYRIZA in 2020: party change put into perspective
Dimitrios Kosmopoulos

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