Articles Articles

Contemporary Southeastern Europe 2019, 6

(2)
Music of the Others. Locating the (Turbo-) Folk Critique
Marina Simić
Nationalism and the agency of musical performers in Serbia in the 1990s: A discussion with Dragana Mirković
Rory Archer
“Stop the War in the Name of Children”: Children and Nation Building Through Croatian Patriotic Music (1991-1992)
Ivana Polić

Contemporary Southeastern Europe 2019, 6

(1)
Dimensions of Europe - Dimensions of Europeanization
Maria Todorova

Contemporary Southeastern Europe 2018, 5

(2)
Theatre, City and Crisis: Some Aspects of Performing Arts in Serbia in the 1990s
Irena Šentevska
Absurdity and/or Reality: Grotesque and Tragicomic Realism in Balkan Spy (1983)
Julija Pešić
The Croatian State Theatre in Zagreb and Cultural Policy in the Period of the NDH 1941 - 1945
Snježana Banović
“The rest is silence”: Censorship and conflicting Memory Politics in Ljubiša Georgievski’s Hamlet, 1989
Alexandra Portmann
Haunted Stages, Haunted Countries – How Theatre Remembers an Interrupted Performance
Senad Halilbašić

Contemporary Southeastern Europe 2018, 5

(1)
Anti-intellectualism or Populism alla turca
Funda Gençoğlu
Nationalism, Politics, and Museums in Turkey under the Justice and Development Party (AKP): The Case of the Panorama Museum 1453
Lorenzo Posocco

Contemporary Southeastern Europe 2017, 4

(2)
Introduction: Films and Societies in Southeastern Europe
Armina Galijaš
Post-Yugoslav Film and the Construction of New National Cinemas
Nikica Gilić
Under the Banner of Pathé: Cinema in the Balkans in its Formative Years (1896-1912)
Karl Kaser
Laughter and Tragedy of the Absurd: Identifying Common Characteristics of Balkan Comedies Under State Socialism
Ana Grgić
The Other Side of Socialism: History and Cinematic Memory of Socialism
Nevena Daković
Are ‘United Left’ and ‘Human Blockade’ Populist on Facebook? A Comparative Analysis of Electoral Campaigns
Alessandro Albertini / Dina Vozab
Displaced Film Memories in the post-Yugoslav Context
Sanjin Pejković
Sex and Uncivil Disobedience: Girlhood and Social Class in Transitional Post-Yugoslav Cinema
Dijana Jelača
The Image of the Stranger in Post-Yugoslav Films
Renate Hansen-Kokoruš

Contemporary Southeastern Europe 2017, 4

(1)
Representations of the ‘Balkans’ in the Foreign Policy Discourses of Croatia, Macedonia and Bosnia and Herzegovina
Mitjo Vaulasvirta
The Rise of Inclusionary Populism in Europe: The Case of SYRIZA
Grigoris Markou
Rectification of Racial Discrimination during WWII: the Case of Restitution Laws in Serbia
Maja Davidović

Contemporary Southeastern Europe 2016, 3

(2)
Populism from Below in the Balkans
Dario Brentin / Tamara Pavasović Trošt
Populism and Anti-Establishment Politics in Kosovo: A Case Study of Lëvizja Vetëvendosje
Bilge Yabanci
Authoritarian Populism and Hegemony: Constructing ‘the People’ in Macedonia’s illiberal discourse
Ljupcho Petkovski
When is Populism Acceptable? The Involvement of Intellectuals in the Bulgarian Summer Protests in 2013
Georgi Medarov
On Populist Pop Culture: Ethno as the Contemporary Political Ideology in Serbia
Irena Šentevska
The Potential of Popular Culture for the Creation of Left Populism in Serbia: The Case of the Hip-Hop Collective “The Bombs of the Nineties”
Jovana Papović / Astrea Pejović
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